Wind onshore 14.6 GW dominates the right half of the scene as dozens of tall three-blade turbines on lattice towers stretching across rolling dark hills, their red aviation warning lights blinking; wind offshore 4.0 GW appears as a distant cluster of turbines on the far-right horizon above a barely visible sea line, marked by faint red and white lights. Brown coal 6.5 GW occupies the left foreground as three massive hyperbolic cooling towers with thick white steam plumes rising into the black sky, lit from below by sodium-orange industrial floodlights. Natural gas 4.3 GW sits left-of-centre as two compact CCGT plants with tall single exhaust stacks emitting thin heat shimmer, their steel structures gleaming under harsh white security lighting. Hard coal 2.5 GW appears as a smaller power station between the gas and coal plants, with a single rectangular boiler house and short smokestack, warmly lit. Biomass 4.2 GW is rendered as a mid-sized industrial facility with a wood-chip storage dome and a modest chimney releasing pale vapour, located in the centre-left middle ground. Hydro 1.4 GW is a small concrete dam structure with illuminated spillway in the lower-left corner, water faintly catching reflected light. The sky is completely black with 100% overcast — no stars, no moon, no twilight glow — a heavy, oppressive, sealed ceiling of invisible cloud pressing down on the landscape, conveying the high electricity price. The temperature is mild spring at 16°C: deciduous trees in fresh green leaf are barely visible in the industrial glow, grass is lush. Moderate wind suggested by slight motion blur on turbine blades and steam plumes drifting sideways. No solar panels anywhere. The entire scene is lit only by artificial light — sodium orange streetlamps lining a road in the foreground, white and amber industrial floodlights, red aviation beacons. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich, dark palette of indigo, umber, ochre, and warm orange — visible impasto brushwork — atmospheric depth with haze around distant turbine lights — meticulous engineering detail on every facility — the mood of Caspar David Friedrich meeting the industrial sublime. No text, no labels.