Solar 16.5 GW dominates the mid-ground as vast fields of aluminium-framed crystalline silicon PV panels stretching across flat farmland, reflecting only the dull grey light of total overcast — no direct sun, no glint, panels appearing muted and slate-coloured. Brown coal 6.7 GW occupies the left portion as a cluster of massive hyperbolic cooling towers with thick white steam plumes rising into the low ceiling of cloud, adjacent lignite conveyors and boiler houses rendered in dark brick. Natural gas 5.5 GW appears centre-left as two compact CCGT plants with tall slender exhaust stacks emitting thin heat shimmer. Wind onshore 4.4 GW is shown as a line of three-blade turbines on gentle hills to the right, rotors barely turning in the near-calm 4 km/h breeze. Biomass 4.3 GW is depicted as a mid-sized industrial plant with a wood-chip storage dome and a single smokestack. Hard coal 3.6 GW sits beside the brown coal as a smaller coal-fired station with a square chimney and coal conveyor. Wind offshore 1.5 GW is suggested on the far-right horizon as tiny turbines standing in a hazy sea glimpsed through a gap in the terrain. Hydro 1.5 GW appears as a concrete dam with spillway in the far background right, nestled among forested hills. The sky is entirely overcast at 08:00 — flat, heavy, steel-grey clouds from horizon to horizon, full diffuse daylight but no sun visible, creating an oppressive, high-price atmosphere. Spring vegetation: fresh green grass and budding deciduous trees at 12°C. The air is still, flags limp. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich impasto brushwork, atmospheric depth with layers of industrial haze, Caspar David Friedrich's sense of scale meeting Adolph Menzel's industrial precision. Every technology rendered with meticulous engineering accuracy: turbine nacelles, lattice towers, cooling tower hyperboloid geometry, panel racking systems. Muted palette of greys, greens, and industrial ochres under the heavy sky. No text, no labels.