Solar 15.1 GW occupies the right third of the scene as vast fields of aluminium-framed crystalline silicon PV panels stretching across gently rolling farmland, their surfaces reflecting only flat grey light under total overcast; brown coal 8.0 GW dominates the left quarter as a massive lignite power station with three hyperbolic cooling towers emitting thick white steam plumes that merge into the low clouds; natural gas 4.8 GW appears centre-left as a pair of modern CCGT plants with tall slender exhaust stacks and compact turbine halls, exhaust shimmering against the grey; hard coal 3.7 GW sits behind them as an older power station with a large rectangular boiler house and a single wide chimney trailing dark smoke; biomass 4.2 GW is rendered as a mid-ground cluster of industrial biogas facilities with cylindrical digesters and low stacks; wind onshore 2.5 GW appears as a sparse line of barely turning three-blade turbines on lattice towers along a distant ridge, rotors almost still; wind offshore 0.7 GW is suggested by a faint row of turbines on the far horizon; hydro 1.4 GW is a small run-of-river weir with a modest powerhouse visible along a river in the middle distance. The sky is dusk at 17:00 in May: the upper sky darkens toward deep slate-blue, while a narrow band of muted orange-red glows along the western horizon beneath a uniformly heavy 100% overcast cloud layer pressing down oppressively. The atmosphere feels thick and expensive — hazy, humid, weighty — reflecting the 129 EUR/MWh price. Vegetation is lush late-spring green, trees fully leafed at 21.6°C, wildflowers in meadows. Air is nearly still. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich meets industrial realism — with rich impasto brushwork, dramatic atmospheric depth, warm-to-cool tonal gradations, and meticulous engineering accuracy on every turbine nacelle, cooling tower, PV module frame, and exhaust stack. No text, no labels.