Brown coal 8.5 GW dominates the left third of the scene as a massive lignite power station with three hyperbolic cooling towers venting thick white steam plumes into the black night sky, conveyor belts of raw lignite visible under sodium-orange floodlights; natural gas 6.5 GW occupies the centre-left as two compact CCGT plants with tall single exhaust stacks emitting thin heat shimmer, their metallic housings gleaming under industrial lighting; hard coal 3.8 GW appears centre-right as a smaller coal-fired station with a single large smokestack and coal stockpiles illuminated by arc lights; biomass 4.2 GW is rendered as a cluster of wood-chip-fed CHP plants with modest chimneys and warm amber-lit industrial buildings to the right of centre; wind onshore 3.6 GW appears as a sparse row of three-blade turbines on a distant ridge in the right portion of the scene, their red aviation warning lights blinking faintly against total darkness, rotors barely turning; hydro 1.6 GW is suggested by a small concrete dam structure with spillway in the far right background, lit by a single floodlight; wind offshore 0.3 GW is a barely visible pair of turbines on a dark horizon line at far right. The sky is completely black with 100% cloud cover — no stars, no moon, no twilight glow — a heavy, oppressive overcast pressing down on the industrial landscape. The atmosphere feels dense and weighty, conveying the high electricity price. Spring vegetation — fresh green grass and budding deciduous trees — is faintly visible in sodium streetlight pools along a road in the foreground. A mild 13°C night with utterly still air: no motion in tree branches, smoke rising vertically. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich impasto brushwork, dramatic chiaroscuro between the industrial glow and surrounding darkness, atmospheric depth reminiscent of Caspar David Friedrich meeting industrial realism, meticulous engineering accuracy in every turbine nacelle, cooling tower curvature, and exhaust stack proportion. No text, no labels.