Brown coal 8.5 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes merging into the overcast sky; solar 5.4 GW appears in the left-centre as rows of aluminium-framed crystalline silicon panels on a gentle hillside, their surfaces dark and reflective under dense clouds with no direct sunlight; natural gas 5.2 GW occupies the centre as two compact CCGT power stations with tall single exhaust stacks emitting thin heat shimmer; biomass 4.4 GW sits right of centre as a wood-clad industrial facility with a modest smokestack and stacked timber in its yard; hard coal 3.9 GW appears as a traditional coal plant with a single large chimney and coal conveyors to its right; wind onshore 2.5 GW is rendered as a small group of three-blade turbines with lattice towers on a distant ridge, their blades nearly still in the calm air; hydro 1.9 GW appears as a concrete run-of-river dam with water spilling over the weir in the far right background; wind offshore 0.5 GW is barely suggested as tiny turbines on a grey horizon line beyond a river estuary. Time is 07:00 in early May — pre-dawn transitioning to earliest morning light: a deep blue-grey sky with the faintest pale luminescence along the eastern horizon, no direct sun visible, everything lit by diffuse grey twilight and the amber glow of sodium streetlights around the industrial facilities. Cloud cover is total at 99%, a uniform heavy grey-white overcast pressing low, creating a heavy oppressive atmosphere reflecting the 160.8 EUR/MWh price. Temperature is 12.3°C in spring — fresh green grass and budding deciduous trees with pale new leaves, damp meadows with dew. Wind is nearly absent at 2.7 km/h — no motion in vegetation, still puddles, smoke and steam rising vertically. Transmission lines on tall steel lattice pylons cross the scene diagonally, suggesting the massive import flows. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen — rich layered colour in muted earth tones and steel greys, visible confident brushwork, deep atmospheric perspective with haze softening distant objects, dramatic chiaroscuro from artificial lighting against the grey dawn. Every technology rendered with meticulous engineering accuracy — turbine nacelles, three-blade rotors, cooling tower parabolic profiles, conveyor belt structures, PV panel grid patterns. The mood is sombre, industrial, vast. No text, no labels.