Solar 18.1 GW dominates the right half of the scene as vast fields of aluminium-framed crystalline silicon PV panels stretching across gentle green May hillsides, their surfaces reflecting diffuse grey light; brown coal 8.5 GW occupies the left quarter as a cluster of massive hyperbolic concrete cooling towers releasing thick white steam plumes into the overcast sky, with conveyor belts of lignite visible at their base; natural gas 4.1 GW appears as a pair of compact CCGT power stations with tall slender exhaust stacks and smaller vapor trails, positioned centre-left; hard coal 3.7 GW sits beside the lignite plant as a darker industrial complex with stockpiles of black coal and a single large smokestack; biomass 3.9 GW is rendered as a mid-ground wood-chip-fed power station with a modest chimney and stacked timber; wind onshore 3.4 GW appears as a small group of three-blade turbines on a ridge in the far background, their rotors barely turning in the still air; wind offshore 0.5 GW is suggested by a faint silhouette of two turbines on the distant hazy horizon; hydro 1.8 GW is a run-of-river weir with churning white water in the foreground valley. The time is 15:00 on a May afternoon: full daylight but with a heavy, unbroken 100% overcast ceiling pressing down — no blue sky visible, a flat white-grey blanket of stratus creating an oppressive, high-price atmosphere. The temperature is a mild 19°C; fresh spring foliage in bright green covers deciduous trees, wildflowers dot meadow edges. The air is still, no motion in grass or leaves. High-voltage transmission pylons march across the middle distance, symbolizing cross-border power flow. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape masters — rich impasto brushwork, atmospheric depth with hazy industrial distance, warm earth tones in the foreground contrasting with cool grey skies, meticulous engineering detail on every turbine nacelle, panel frame, and cooling tower. No text, no labels.