Brown coal 8.5 GW dominates the left quarter as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes merging into the overcast sky; natural gas 5.4 GW appears centre-left as a row of compact CCGT plants with tall slender exhaust stacks venting translucent heat shimmer; hard coal 3.9 GW sits behind them as a dark brick-and-steel power station with conveyor belts and a single large smokestack; wind onshore 6.6 GW stretches across the centre-right as dozens of three-blade turbines on lattice and tubular towers, blades turning gently in moderate wind; wind offshore 1.6 GW is suggested far right on a hazy coastal horizon as a small cluster of turbines rising from a grey sea; solar 5.4 GW appears as a modest field of aluminium-framed crystalline silicon panels in the mid-ground, reflecting only diffuse grey light — no sunshine; biomass 4.4 GW is rendered as a wood-clad biogas facility with a green-domed digester and a short stack emitting faint vapour; hydro 1.9 GW appears as a concrete dam with a thin cascade of water in the far background valley. Time is early dusk at 18:00 in May: the sky is entirely overcast with heavy stratiform clouds in oppressive layered greys, a faint orange-red glow lingers barely on the western horizon beneath the cloud deck, the upper sky darkening toward slate blue. The atmosphere is heavy and pressing, conveying high electricity prices. Spring vegetation is lush green — deciduous trees in full leaf, meadow grasses tall — but muted under the dim, diffused light. A wide German river curves through the middle ground reflecting the dull sky. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich meets industrial sublime — with rich earthy and grey colour palette, visible impasto brushwork, deep atmospheric perspective, meticulous engineering detail on every turbine nacelle, every cooling tower flute, every PV cell grid line. No text, no labels.