Brown coal 8.5 GW dominates the left quarter of the scene as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes merging into the overcast sky, surrounded by open-pit lignite mines with terraced brown earth; hard coal 3.9 GW sits just right of centre-left as a smaller coal-fired plant with rectangular chimneys and conveyor belts feeding dark fuel; natural gas 6.3 GW occupies the centre as two compact CCGT power stations with tall slender exhaust stacks releasing thin heat shimmer; wind onshore 12.1 GW spans the right third as dozens of three-blade turbines on lattice and tubular towers receding across rolling green hills into the hazy distance, blades nearly still in the calm air; wind offshore 3.9 GW appears as a faint line of turbines on a grey horizon over a distant sea glimpsed through a gap in the terrain; solar 5.3 GW is represented by a modest field of aluminium-framed crystalline silicon panels in the mid-ground, their surfaces dull and reflective-grey under the overcast, catching no direct light; biomass 4.4 GW appears as a wood-chip-fed industrial plant with a modest smokestack and timber storage yard near the coal complex; hydro 1.8 GW is a small run-of-river weir with a concrete dam visible in a valley at far right. The sky is entirely blanketed in low, heavy stratiform clouds in tones of slate-grey and pewter, oppressive and dense, no blue visible anywhere, pressing down on the landscape—consistent with 142 EUR/MWh tension. The lighting is pre-dawn to earliest dawn: a pale blue-grey diffuse glow from the east barely distinguishing sky from land, no direct sunlight, no warm tones in the sky, the horizon faintly lighter in cold steel-blue. Vegetation is lush mid-spring green—beech and birch trees in fresh leaf, meadow grass tall, but colours muted under the flat light. Puddles on access roads reflect the grey sky. Transmission pylons with high-voltage lines thread through the entire scene connecting every facility. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters—Caspar David Friedrich's atmospheric weight merged with Adolph Menzel's industrial precision—rich layered colour, visible confident brushwork, deep atmospheric perspective, meticulous engineering detail on every turbine nacelle, cooling tower ribbing, panel frame, and smokestack. No text, no labels.