Brown coal 8.4 GW dominates the left third of the scene as a massive lignite power station with four hyperbolic cooling towers releasing thick white steam plumes into the black sky; natural gas 7.2 GW occupies the centre-left as a pair of modern CCGT plants with slender exhaust stacks and faintly glowing turbine halls; hard coal 3.8 GW appears centre-right as a smaller coal-fired station with a single rectangular chimney and coal conveyor visible under sodium floodlights; wind onshore 9.9 GW spans the right third as dozens of three-blade turbines on lattice and tubular towers stretching across rolling hills, red aviation warning lights blinking on each nacelle; wind offshore 2.5 GW is glimpsed as a distant cluster of turbines on the far-right horizon over a dark sea; biomass 4.1 GW appears as a modest wood-chip-fired plant with a rounded silo and low stack near the coal station; hydro 1.5 GW is rendered as a small dam spillway glinting in artificial light at the far left edge. The sky is completely dark, deep navy-black, midnight hour with no moon visible, 100% cloud cover erasing all stars, an oppressive heavy atmosphere reflecting the 125 EUR/MWh price. Spring vegetation — fresh green grass and budding deciduous trees — is barely visible under amber sodium streetlights that line a road crossing the foreground. Light mist hangs at ground level at 8.9°C. Steam from cooling towers is caught by gentle wind and drifts rightward. No solar panels anywhere. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen — rich, deep colour palette of indigo, amber, and charcoal grey, visible impasto brushwork, dramatic chiaroscuro from industrial lighting against the void-like sky, atmospheric depth with layers of mist and smoke, meticulous engineering detail on every turbine nacelle, cooling tower, and exhaust stack. No text, no labels.