Solar 23.6 GW dominates the centre and right as vast fields of aluminium-framed crystalline silicon PV panels stretching across flat farmland under heavy overcast; brown coal 8.5 GW occupies the far left as a cluster of massive hyperbolic cooling towers with thick white steam plumes rising into the grey sky; natural gas 6.7 GW appears as a pair of compact CCGT plants with tall single exhaust stacks and heat-shimmer exhaust, positioned left of centre; hard coal 3.9 GW is rendered as a smaller coal-fired station with a square stack and conveyor belts, set behind the gas units; wind onshore 4.8 GW appears as a sparse line of widely spaced three-blade turbines on low hills in the far right background, rotors barely turning; biomass 4.0 GW shown as a modest wood-chip plant with a low smokestack near the foreground; hydro 1.6 GW is a small weir and powerhouse nestled along a river in the lower right corner. The time is noon but the sky is entirely overcast with thick, low stratocumulus clouds—no blue sky, no direct sunlight, flat diffuse daylight illuminating everything evenly. The atmosphere feels heavy and oppressive, reflecting a high electricity price. The temperature is cool at 9°C; spring vegetation is fresh green but muted, grass damp, no flowers open. Light wind barely stirs the trees. Overhead high-voltage transmission lines cross the scene, hinting at cross-border imports. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters—Caspar David Friedrich meets industrial realism—rich muted colour palette of greys, sage greens, and steel blues, visible impasto brushwork, atmospheric depth with misty horizons, meticulous engineering accuracy on every turbine nacelle, every cooling tower rib, every PV module frame. No text, no labels.