Solar 19.7 GW dominates the right half of the scene as vast fields of aluminium-framed crystalline silicon photovoltaic panels stretching across flat farmland under a uniformly overcast white-grey sky; brown coal 8.3 GW occupies the left quarter as a cluster of massive hyperbolic cooling towers with thick white steam plumes rising into the heavy clouds; natural gas 7.0 GW appears left of centre as a pair of modern CCGT power plants with tall slender exhaust stacks and thin heat shimmer; hard coal 3.7 GW stands behind them as a smaller conventional plant with a single tall chimney and coal conveyor belts; biomass 4.1 GW is rendered as a mid-sized wood-chip-fired plant with a rounded storage dome and moderate smoke; wind onshore 3.8 GW appears as a sparse line of five three-blade turbines on a low ridge in the far centre-right, their rotors barely turning in the still air; hydro 1.6 GW is a small run-of-river weir visible in a stream in the foreground right; wind offshore 0.2 GW is barely suggested as two tiny turbines on the far horizon. The lighting is full diffuse daylight at 16:00 in early May—no shadows, no direct sun, the sky a single heavy blanket of cloud from horizon to horizon creating a flat oppressive atmosphere suggesting high electricity prices. Vegetation is fresh spring green, young crops in fields, birch and linden trees with new bright leaves, temperature around 9°C conveyed by figures in light jackets. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters—Caspar David Friedrich meets industrial realism—rich muted colour palette of slate greys, olive greens, and cream whites, visible confident brushwork, atmospheric depth with haze softening the distant cooling towers, meticulous engineering detail on every turbine nacelle, PV panel frame, and cooling tower shell. No text, no labels.