Brown coal 8.2 GW dominates the left quarter of the scene as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes merging into the overcast sky; natural gas 8.0 GW occupies the centre-left as a row of compact CCGT power blocks with tall slender exhaust stacks trailing thin vapour; solar 8.6 GW fills the centre as vast fields of aluminium-framed crystalline silicon PV panels reflecting only dull grey light under total cloud cover, their surfaces wet with mist; biomass 4.5 GW appears centre-right as a wood-chip-fed CHP plant with a squat industrial chimney and conveyor belts; hard coal 3.8 GW stands to the right as a traditional coal station with a single large stack and coal bunkers; wind onshore 3.1 GW is rendered as a sparse line of three-blade turbines on a distant ridge, rotors barely turning in the still air; wind offshore 0.3 GW is a single barely visible turbine silhouette on the far-right horizon above a grey sea; hydro 2.1 GW appears as a concrete dam and penstock structure nestled in a forested valley in the far background. TIME: 18:00 dusk in early May — the sky is a thick, unbroken blanket of grey-white stratus with only a faint orange-red glow on the lowest horizon line to the west, rapidly fading, the upper sky already darkening toward slate blue. The atmosphere feels heavy and oppressive, reflecting the 148.7 EUR/MWh price — haze hangs low, the air is dense, muted tones throughout. Temperature is a cool 9 °C: spring vegetation is fresh green but subdued in the dim light, grass damp, bare-branched trees just leafing out. No wind motion in foreground foliage. Transmission pylons with high-voltage lines cross the middle ground, symbolising heavy import flows. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape masters — rich impasto brushwork, deep atmospheric perspective, dramatic chiaroscuro from the dying western glow against the industrial silhouettes, meticulous engineering accuracy on every turbine nacelle, cooling tower shell, and panel frame. No text, no labels.