Brown coal 8.6 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into the darkness; natural gas 7.5 GW fills the centre-left as compact CCGT plant blocks with tall single exhaust stacks and glowing orange gas flares; biomass 4.1 GW appears centre-right as a mid-sized industrial facility with a wood-chip conveyor and a single squat smokestack emitting thin grey smoke, warmly lit windows; wind onshore 3.4 GW is represented by a scattered row of three-blade turbines on a low ridge to the far right, their rotors nearly motionless in the still air, red aviation warning lights blinking; wind offshore 0.6 GW appears as a faint silhouette of two or three offshore turbines on a distant horizon line; hard coal 3.7 GW sits behind the brown coal as a secondary power station with rectangular cooling towers and coal conveyors; hydro 1.6 GW is suggested by a small illuminated dam structure nestled in a valley in the far background. The sky is completely black to deep navy with full 100% overcast — no stars, no moon, no twilight glow — a heavy oppressive cloud ceiling pressing low, reflecting faint orange sodium-vapour light from below. The landscape is a flat to gently rolling German lowland with early-May green vegetation barely visible in the industrial glow. Puddles on access roads reflect amber light. The atmosphere is dense, humid, slightly hazy — conveying the weight of a 120.7 EUR/MWh price environment. Temperature around 8°C suggests a cool dampness: faint mist clings to the ground between facilities. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich meets industrial sublime — rich deep colour palette of blacks, deep blues, warm oranges, and cool greys, visible confident brushwork, atmospheric depth and sfumato in the distance, meticulous engineering detail on every turbine nacelle, cooling tower curvature, lattice pylon, and exhaust stack. No text, no labels.