Brown coal 8.6 GW dominates the left third of the scene as a massive lignite power station with four hyperbolic cooling towers belching thick white-grey steam plumes into the night sky; natural gas 7.5 GW fills the centre-left as a bank of compact CCGT units with slender exhaust stacks venting shimmering heat haze; hard coal 3.7 GW appears centre-right as a gritty coal-fired plant with a single tall chimney and conveyor belts; biomass 4.0 GW is rendered as a cluster of industrial biogas facilities with squat cylindrical digesters and small stacks, glowing with warm sodium-orange interior light, positioned right of centre; wind onshore 3.5 GW appears as a line of five three-blade turbines on a low ridge in the right portion of the scene, their rotors barely turning in the still air, with red aviation warning lights blinking at nacelle height; wind offshore 0.7 GW is suggested by a tiny cluster of turbines visible far in the hazy distance on the right horizon; hydro 1.5 GW is a concrete dam structure nestled in a valley at the far right edge, with white water spilling from its sluice gates. The sky is completely black — no twilight, no moon, heavy 97% overcast erasing all stars — an oppressive, low ceiling of cloud faintly lit from below by the industrial glow. The atmosphere feels heavy and costly, haze and steam merging into the darkness overhead. Temperature is a cool 7.8°C: the spring vegetation on the hillsides is fresh green but muted, visible only where sodium streetlights and industrial floodlights cast pools of amber. Puddles on the ground reflect orange light. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich impasto brushwork, deep chiaroscuro contrasts between the glowing industrial cores and the surrounding darkness, atmospheric depth receding into murky distance — yet every cooling tower, turbine nacelle, lattice mast, and exhaust stack is rendered with meticulous engineering accuracy. No text, no labels.