Brown coal 8.7 GW dominates the left third of the scene as a massive lignite power complex with four hyperbolic cooling towers emitting thick white steam plumes lit from below by sodium-orange industrial lights; natural gas 6.8 GW fills the centre-left as a pair of modern CCGT plants with tall slender exhaust stacks and glowing turbine halls behind chain-link fencing; hard coal 3.8 GW appears centre-right as a smaller conventional coal station with a single large smokestack and conveyor belt structures; wind onshore 7.7 GW spans the right third as a line of tall three-blade turbines on gentle rolling hills, their red aviation warning lights blinking against the black sky, rotors turning slowly in light breeze; wind offshore 3.0 GW is suggested by distant turbine silhouettes on a dark horizon line far right; biomass 4.5 GW appears as a medium-sized industrial plant with wood-chip silos and a modest chimney glowing warmly, positioned between the coal and wind sections; hydro 1.6 GW is a small concrete dam structure in the far background with water cascading, subtly lit. The sky is completely dark, deep navy-black, no twilight glow whatsoever — it is 21:00 in May. A crescent moon is barely visible through thin high clouds covering about 21% of the sky. The atmosphere feels heavy and oppressive, reflecting the high electricity price — a faint industrial haze hangs over the thermal plants. Spring vegetation is visible in the foreground: fresh green grass and budding deciduous trees, lit only by the amber spill of sodium streetlamps and the orange-white glow from plant facilities. Power transmission lines with lattice steel pylons stretch across the entire scene connecting all facilities. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich deep colour palette of blacks, deep blues, warm ambers, and cool whites from steam; visible confident brushwork; atmospheric depth with haze layering; meticulous engineering detail on every turbine nacelle, cooling tower, exhaust stack, and conveyor structure. The scene evokes the industrial sublime — monumental human infrastructure against the quiet spring night. No text, no labels.