Brown coal 9.1 GW dominates the left third of the scene as massive hyperbolic cooling towers emitting thick white steam plumes into the night sky, illuminated from below by orange sodium floodlights; wind onshore 7.2 GW occupies the centre-right as a long row of three-blade turbines on lattice towers, their red aviation lights blinking, rotors turning slowly in light breeze; natural gas 5.7 GW appears centre-left as a compact CCGT facility with tall single exhaust stacks venting thin plumes, lit by bright industrial floodlights; biomass 4.1 GW is rendered as a medium-sized wood-chip power plant with a squat chimney and conveyor belt, warmly lit; hard coal 3.7 GW sits beside the lignite plant as a pair of smaller conventional boiler stacks with visible red glow at their tops; wind offshore 2.7 GW is suggested on the far right horizon as tiny blinking lights above a dark plain; hydro 1.4 GW appears as a small dam structure with spillway gleaming in artificial light in the lower right foreground. The sky is completely dark, deep navy-to-black, with a few stars visible through 20% scattered cloud cover; no twilight, no sky glow. The temperature is a chilly 6.6°C spring night — early green vegetation barely visible in lamplight, patches of mist clinging to low ground. The atmosphere feels heavy and oppressive, reflecting the high electricity price — dense steam clouds press downward, sodium lights cast a sickly amber pall over the industrial landscape. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich dark colour palette of blacks, deep blues, amber and ochre, visible textured brushwork, dramatic chiaroscuro, atmospheric depth receding into darkness. Each energy technology rendered with meticulous engineering accuracy: turbine nacelles and three-blade rotors, hyperbolic concrete cooling tower geometry, CCGT exhaust stacks with heat shimmer. No text, no labels.