Brown coal 9.1 GW dominates the left third of the scene as a massive lignite power station complex with four hyperbolic cooling towers billowing thick white steam plumes into the black sky, lit from below by amber sodium lights; natural gas 5.6 GW occupies the centre-left as two compact CCGT units with tall single exhaust stacks emitting thin vapour, their corrugated steel housings illuminated by industrial floodlights; hard coal 3.6 GW appears centre-right as a traditional coal plant with a single large chimney and conveyor infrastructure glowing under yellow security lights; wind onshore 4.8 GW is rendered as a row of five three-blade turbines on a distant ridge, their rotors barely turning, red aviation warning lights blinking at the nacelle tops; wind offshore 0.9 GW is suggested by two smaller turbines on a far dark horizon line; biomass 4.1 GW appears as a mid-ground industrial facility with a wood-chip storage dome and a modest smokestack with faint heat shimmer; hydro 1.5 GW is a concrete run-of-river weir structure in the foreground with dark water reflecting the industrial glow. The sky is completely black with 100% overcast — no stars, no moon, no twilight, a heavy oppressive ceiling of cloud pressing down, conveying the high electricity price. Temperature is 4.1°C: frost glistens on bare spring grass and leafless hedgerows in the foreground, breath-like mist hangs low over the river. No solar panels anywhere — it is deep night. The entire scene is lit only by artificial light: sodium amber, cool LED floodlights, and the red blink of turbine beacons. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich dark colour palette of deep navy, warm amber, cool steel grey — visible impasto brushwork, atmospheric depth and chiaroscuro, meticulous engineering detail on every turbine nacelle, cooling tower, and exhaust stack. The mood is solemn, industrial, monumental. No text, no labels.