Solar 38.3 GW dominates the scene, filling roughly three-quarters of the composition as vast rolling fields of aluminium-framed crystalline silicon PV panels stretching across gentle green spring hillsides under a partly cloudy afternoon sky. Biomass 4.0 GW appears in the mid-ground as a cluster of medium-scale wood-chip power plants with tall chimneys and small steam wisps beside stacked timber yards. Brown coal 2.8 GW occupies a modest section at the left as two hyperbolic concrete cooling towers with lazy white steam plumes rising from a lignite plant with conveyor belts and coal bunkers. Wind onshore 1.6 GW is represented by a small group of three-blade turbines on a distant ridge, their rotors barely turning in the still air. Natural gas 1.6 GW appears as a compact CCGT facility with a single tall exhaust stack and a modest heat-shimmer plume, tucked beside the coal plant. Hydro 1.5 GW is shown as a small concrete run-of-river weir with water spilling through turbine gates along a tree-lined river in the mid-ground. Hard coal 0.5 GW is a single older brick smokestack at the far edge, barely active. The lighting is full spring afternoon daylight at 15:00 in central Germany — the sun is moderately high in the southwest, partially filtered through a 71% broken cloud layer of cumulus and alto-stratus, casting dappled light and soft shadows across the landscape. The temperature is a mild 17°C: fresh green spring foliage on birches and linden trees, wildflowers in meadows between panel rows, the air clear and calm with no wind motion in grasses or flags. The atmosphere is serene and open — a zero-price calm — with a vast expansive sky. Painted in the style of a highly detailed 19th-century German Romantic landscape oil painting, rich saturated colour palette, visible impasto brushwork, atmospheric aerial perspective with hazy blue distance, meticulous engineering detail on every technology element — turbine nacelles, panel wiring, cooling tower concrete ribbing, conveyor mechanisms — evoking Caspar David Friedrich's sense of sublime scale but applied to an industrial-renewable landscape. No text, no labels.