Brown coal 6.8 GW dominates the left quarter of the scene as a cluster of massive hyperbolic cooling towers emitting thick white steam plumes lit from below by orange sodium lamps; onshore wind 8.1 GW spans the right third as dozens of tall three-blade turbines on lattice towers stretching across dark rolling hills, red aircraft-warning lights blinking on nacelles; natural gas 4.4 GW occupies the centre-left as compact CCGT power blocks with slender vertical exhaust stacks venting faint heat shimmer; hard coal 3.6 GW appears centre-right as a large industrial hall with conveyor belts and a single wide smokestack releasing grey-white exhaust; biomass 4.3 GW sits in the mid-ground as a series of smaller wood-clad power stations with short stacks and warm amber-lit windows; hydro 1.4 GW is visible in the foreground as a concrete dam with spillway, illuminated by floodlights reflecting in dark water; offshore wind 0.8 GW appears as a faint line of tiny red lights on the far horizon suggesting distant turbines at sea. The sky is completely black with a deep navy tone near the horizon, scattered with sharp stars visible through perfectly clear air—cloud cover is nearly zero—and no trace of twilight or sky glow. The atmosphere feels heavy and oppressive despite the clear sky, conveying the high electricity price: a brooding stillness hangs over the landscape. Spring vegetation—fresh green grass and budding deciduous trees—is barely visible in pools of artificial light. Temperature around 10°C suggested by light mist clinging low to meadows. A gentle breeze barely stirs the grass, consistent with light wind speed. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich, with rich dark colour palette, visible impasto brushwork, deep atmospheric perspective, dramatic chiaroscuro from artificial lighting against the night, and meticulous engineering accuracy in every turbine nacelle, cooling tower profile, and industrial structure. No text, no labels.