Brown coal 7.5 GW dominates the left third of the scene as a massive lignite power station with three hyperbolic cooling towers emitting thick white-grey steam plumes lit from below by sodium-orange industrial lamps; wind onshore 9.4 GW spans the right half as dozens of three-blade turbines on lattice and tubular towers stretching across rolling dark hills, rotors turning slowly in light wind; natural gas 4.8 GW appears centre-left as a compact CCGT facility with twin exhaust stacks venting thin heat shimmer, illuminated by harsh white floodlights; hard coal 3.6 GW sits behind the gas plant as a coal-fired station with a single large smokestack and conveyor belt infrastructure, glowing under amber spotlights; biomass 4.1 GW occupies the centre-right as a cluster of medium industrial buildings with short stacks and wood-chip storage silos lit by warm yellowish light; hydro 1.3 GW appears as a small dam structure in the far right middle ground with water glinting faintly under facility lighting; wind offshore 0.6 GW is suggested as tiny distant turbine silhouettes on a dark horizon line at the far right. The sky is completely black to deep navy — it is midnight with 100% cloud cover, so no stars, no moon, no twilight glow whatsoever; the only illumination comes from artificial sources: sodium streetlights lining an access road in the foreground, floodlit industrial yards, glowing control-room windows, and the orange-white reflected glow on the undersides of the low overcast clouds above the power stations. The atmosphere feels heavy and oppressive, with low clouds pressing down and steam merging into the cloud base, conveying the tension of high electricity prices. Spring vegetation — fresh green grass and leafy trees — is barely visible in patches of light, suggesting mild 14°C temperatures. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich, moody colour palette of deep indigo, burnt sienna, and sodium orange; visible confident brushwork; dramatic atmospheric depth with layers of industrial haze; meticulous engineering detail on every turbine nacelle, cooling tower shell, and exhaust stack. The painting evokes Caspar David Friedrich's sublime darkness married to industrial realism. No text, no labels.