Brown coal 7.7 GW dominates the left third of the scene as a massive lignite power station with four hyperbolic cooling towers emitting thick white steam plumes lit from below by orange sodium lamps; onshore wind 8.6 GW spans the right third as a long ridge of three-blade turbines on lattice towers, their rotors turning at moderate pace, red aviation warning lights blinking; natural gas 4.8 GW occupies the centre-left as two compact CCGT blocks with tall single exhaust stacks venting thin heat shimmer; hard coal 3.6 GW appears centre-right as a gritty coal-fired plant with a single large smokestack and conveyor infrastructure; biomass 4.0 GW is rendered as a cluster of industrial biogas facilities with cylindrical digesters and small chimneys glowing warmly; hydro 1.3 GW appears as a small concrete dam structure in the far middle distance with lit spillway; offshore wind 0.2 GW is barely visible as a pair of tiny turbine silhouettes on a distant dark horizon line suggesting the North Sea. The sky is completely black with heavy 100% overcast—no stars, no moon, no twilight, only a deep charcoal-navy canopy pressing down oppressively. All illumination comes from artificial sources: amber and white industrial floodlights, red blinking hazard lights on turbines and stacks, pale greenish security lighting on fences. The atmosphere is heavy, humid, and foreboding—conveying the high electricity price through a brooding, claustrophobic weight. Spring vegetation—young green leaves on birch and linden trees—is barely visible in the foreground, touched by the amber glow. Painted in the style of a highly detailed 19th-century German Romantic oil painting—rich impasto brushwork, deep chiaroscuro, dramatic contrast between pools of industrial light and surrounding darkness—with meticulous engineering accuracy on every turbine nacelle, cooling tower profile, and exhaust stack. No text, no labels.