Brown coal 7.8 GW dominates the left quarter as a massive lignite power station with four hyperbolic cooling towers emitting thick white steam plumes lit from below by orange sodium lamps; onshore wind 9.1 GW spans the right third as a deep field of three-blade turbines on lattice towers, red aviation warning lights blinking on nacelles, rotors turning at moderate speed; natural gas 4.8 GW occupies the centre-left as two compact CCGT units with tall single exhaust stacks venting thin heat shimmer; biomass 4.1 GW appears centre-right as a mid-sized industrial plant with a tall cylindrical silo and a gently smoking stack; hard coal 3.6 GW sits beside the brown coal complex as a smaller station with a single rectangular boiler house and conveyor belt; hydro 1.3 GW is a small dam structure with spillway visible in the far background. Time is 04:00—completely dark, black sky with no stars visible through total 100% cloud cover, no twilight, no sky glow whatsoever. All structures are illuminated only by artificial light: harsh sodium-orange industrial floodlights, safety beacons, glowing control-room windows. The atmosphere is heavy and oppressive, reflecting the high electricity price—low-hanging cloud absorbs and diffuses the industrial glow into a dull amber haze pressing down on the landscape. Spring vegetation at 11°C: fresh grass and budding deciduous trees barely visible in pools of lamplight, damp with overnight moisture. Foreground shows wet asphalt and puddles reflecting the orange industrial glow. Painted in the style of a highly detailed 19th-century German Romantic oil painting—rich impasto brushwork, deep chiaroscuro, atmospheric sfumato in the industrial haze—yet every turbine nacelle, cooling tower profile, and CCGT exhaust stack is rendered with meticulous engineering accuracy. No text, no labels.