Brown coal 7.8 GW dominates the left quarter of the scene as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into the overcast sky, surrounded by conveyor belts and lignite stockpiles. Onshore wind 9.6 GW spans the right third as dozens of tall three-blade turbines on lattice and tubular towers, rotors turning steadily across rolling green spring fields. Natural gas 5.0 GW occupies the centre-left as a compact CCGT power plant with twin exhaust stacks emitting thin heat shimmer. Hard coal 3.6 GW appears centre-right as a smaller coal-fired plant with a single tall chimney and rectangular boiler house, pale smoke trailing. Biomass 4.2 GW is rendered as a mid-ground industrial facility with a wood-chip storage dome and a modest stack. Hydro 1.3 GW appears as a concrete dam structure visible in a distant river valley. Wind offshore 0.3 GW is barely hinted at on the far horizon as a few tiny turbine silhouettes. No solar panels are visible — it is pre-dawn and fully overcast. The sky is deep blue-grey with the faintest pale pre-dawn luminescence on the eastern horizon, no direct sunlight, no warm colours in the sky. Overcast cloud layer is thick and oppressive, reflecting the high electricity price. Sodium streetlights glow amber along a road in the foreground. Spring vegetation — fresh green grass, budding deciduous trees — at about 10°C. The atmosphere is heavy, damp, industrial. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painting — rich, layered colour, visible expressive brushwork, atmospheric depth and chiaroscuro — but with meticulous engineering accuracy on every turbine nacelle, cooling tower ribbing, and exhaust stack detail. No text, no labels.