Solar 23.4 GW fills the broad central foreground as vast fields of aluminium-framed crystalline silicon PV panels stretching across flat farmland, their surfaces grey-white under diffuse light, no reflections or glare; wind onshore 14.9 GW spans the right third and mid-ground as dozens of tall three-blade turbines on lattice and tubular towers, rotors visibly turning in moderate wind; wind offshore 5.1 GW appears on the far right horizon as a line of offshore turbines rising from a grey North Sea sliver; brown coal 6.3 GW dominates the left quarter as a cluster of massive hyperbolic cooling towers emitting thick white-grey steam plumes drifting right, beside open-pit mine terraces; biomass 4.0 GW sits in the left-centre as several mid-sized industrial plants with compact stacks and wood-chip storage domes; natural gas 2.8 GW appears as two sleek CCGT units with single tall exhaust stacks and thin heat-shimmer plumes near centre-left; hard coal 2.5 GW shows as a single older power station with rectangular boiler house and two tall chimneys trailing faint dark smoke, left of the gas plant; hydro 1.4 GW is a small concrete dam with spillway visible in a valley at the far left edge. The sky is entirely overcast at midday — a uniform, heavy, oppressive blanket of grey stratus clouds with no blue visible anywhere, flat diffuse daylight illuminating the scene evenly but without shadows. The atmosphere feels dense and weighty, suggesting the high electricity price. Vegetation is early-May green — fresh birch and beech leaves, rapeseed fields beginning to yellow — but subdued under the grey sky. Temperature is cool at 7.5°C; figures in the landscape wear light jackets. The wind bends grasses and tree branches moderately. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich layered colour, visible confident brushwork, atmospheric depth with receding planes of mist between the industrial installations. Each technology rendered with meticulous engineering accuracy: turbine nacelles, three-blade rotors, panel racking, cooling tower geometry, CCGT exhaust architecture. The composition feels like a monumental Caspar David Friedrich landscape reimagined for the energy transition — sublime, melancholic, industrially precise. No text, no labels.