Wind onshore 13.4 GW dominates the right half of the scene as dozens of tall three-blade turbines with white lattice towers stretching across rolling dark hills, rotors turning slowly; wind offshore 4.4 GW appears in the far-right background as a cluster of turbines visible on a black sea horizon with tiny red aviation lights; brown coal 7.6 GW occupies the left foreground as massive hyperbolic cooling towers emitting thick white-grey steam plumes lit from below by sodium-orange industrial lights; natural gas 5.9 GW sits left-of-centre as two sleek CCGT power blocks with tall single exhaust stacks releasing thin heat shimmer, surrounded by glowing control buildings; hard coal 4.6 GW appears centre-left as a dark industrial complex with conveyor belts, a large smokestack, and coal bunkers illuminated by floodlights; biomass 4.5 GW is rendered centre-right as a cluster of smaller industrial facilities with wood-chip silos and short chimneys emitting faint wisps; hydro 1.7 GW appears as a modest dam structure in the middle distance with illuminated spillway. The sky is completely dark — a deep navy-black overcast ceiling with no stars, no twilight, no sky glow — it is 20:00 in May, fully night. The entire scene is lit only by artificial light: amber sodium streetlamps, white industrial floodlights, red blinking aviation lights on turbine nacelles. The atmosphere feels heavy and oppressive, reflecting the high electricity price — low clouds press down, trapping steam and industrial haze. Spring vegetation is present but barely visible: fresh green grass and leafing trees caught only in pools of artificial light. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich, dark palette of deep blues, blacks, warm oranges and amber from artificial lighting, visible thick brushwork, dramatic atmospheric depth and chiaroscuro. Meticulous engineering detail on every technology: correct nacelle shapes, three-blade rotors, aluminium cooling tower ribbing, CCGT exhaust geometry. The painting evokes Caspar David Friedrich's sublime darkness merged with industrial grandeur. No text, no labels.