Solar 29.8 GW dominates the foreground and middle distance as vast fields of aluminium-framed crystalline silicon PV panels stretching across flat agricultural land, their blue-grey surfaces reflecting diffuse white light; onshore wind 18.9 GW fills the right half and recedes into the distance as dozens of tall three-blade turbines on lattice and tubular towers, blades turning slowly in light breeze; brown coal 4.8 GW occupies the left background as a cluster of massive hyperbolic cooling towers with thick white steam plumes drifting sideways, beside conveyor belts and lignite bunkers; biomass 4.0 GW appears as a mid-sized industrial plant with a tall stack emitting thin vapour and timber storage yards nearby; natural gas 3.4 GW shows as a compact CCGT facility with a single slender exhaust stack and visible heat shimmer; hard coal 2.3 GW is a dark brick-and-steel power station with a squat chimney behind the cooling towers; hydro 1.6 GW is a small concrete dam and spillway visible in a river valley at the far left edge; offshore wind 0.2 GW is barely suggested by a single distant turbine silhouette on the horizon. The sky is completely overcast with heavy, uniform, low stratus clouds in tones of pewter grey and dull white — no direct sun visible, but full midday diffuse brightness illuminates the scene evenly at 13:00. The atmosphere feels slightly oppressive and dense, reflecting a moderate electricity price. Spring vegetation: fresh green grass, budding deciduous trees, rapeseed fields not yet blooming, temperature cool at 11°C with damp air. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich meets industrial realism — rich layered colour, visible confident brushwork, atmospheric depth and haze, meticulous engineering detail on every turbine nacelle, every PV cell grid line, every rivet on the coal plant. No text, no labels.