Brown coal 7.7 GW dominates the left quarter as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into a black overcast sky, lit from below by sodium-orange industrial floodlights; natural gas 6.1 GW fills the centre-left as two compact CCGT power blocks with tall single exhaust stacks emitting thin heat shimmer, their turbine halls glowing warmly through high windows; hard coal 4.2 GW appears centre-right as a brooding coal-fired station with a single large smokestack and conveyor belts feeding dark fuel into hoppers, spotlights catching coal dust; onshore wind 10.9 GW spans the entire right third and background ridgeline as dozens of three-blade turbines on white lattice-free tubular towers, their rotors turning slowly, red aviation warning lights blinking against the dark sky; biomass 4.5 GW is rendered centre-foreground as a cluster of industrial wood-chip boiler buildings with corrugated metal walls, steam venting from short stacks, illuminated by facility lighting; hydro 1.8 GW appears as a concrete dam structure in the lower right middle ground, water cascading over a spillway catching artificial light; offshore wind 0.7 GW is barely visible as a few distant turbines on the far horizon with faint red lights; solar 0.6 GW is represented only by dormant dark PV panel arrays in the nearest foreground, completely unlit, reflecting nothing. The sky is completely dark — a deep navy-black overcast with 100% cloud cover, no stars, no moon, no twilight glow — it is fully nighttime at 20:00 in May. The atmosphere is heavy and oppressive, reflecting the 171.3 EUR/MWh price: low clouds press down, humidity thickens the air around the cooling tower plumes. Temperature is 9.3°C — spring vegetation is present but muted, fresh green grass and leafy trees barely visible in the sodium light, damp with evening moisture. Wind is light at 6.1 km/h — turbine blades turn but slowly, tree branches barely stir. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich meets industrial sublime — rich deep colour palette of burnt orange, steel grey, ivory steam, and midnight blue-black, visible impasto brushwork, atmospheric depth with haze and light scatter from industrial sources, meticulous engineering detail on every turbine nacelle, cooling tower rib pattern, and CCGT stack. No text, no labels.