Brown coal 7.7 GW dominates the left quarter as a cluster of massive hyperbolic cooling towers with thick white steam plumes rising into the black sky, lit from below by orange sodium lights; wind onshore 12.9 GW spans the entire background and right half as dozens of tall three-blade turbines on lattice towers standing on rolling dark hills, their red aviation warning lights blinking against the night; natural gas 6.1 GW appears centre-left as two compact CCGT power blocks with tall single exhaust stacks emitting thin heat shimmer, illuminated by harsh white industrial floodlights; hard coal 4.3 GW sits centre-right as a coal-fired station with a single large chimney and conveyor belts, arc-lit; biomass 4.4 GW is rendered as a mid-sized plant with a wood-chip storage dome and a modest smokestack near the centre, warmly lit; hydro 1.6 GW appears as a small concrete dam with spillway in the lower right, water catching faint reflected light; wind offshore 0.6 GW is suggested by a few distant turbines on the far-right horizon over a dark sea sliver. The sky is completely dark — deep black to navy, dense 98% cloud cover obscuring all stars, no twilight, no moon — oppressive and heavy atmosphere reflecting the 142 EUR/MWh price. Temperature is a cool 8°C in mid-May: fresh spring grass on hillsides but trees only partially leafed out, damp mist clinging to low ground. Ground-level wind is light, turbine blades turning slowly. Foreground shows a rain-dampened country road with puddles reflecting sodium-orange industrial glow. No solar panels anywhere. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape masters — Caspar David Friedrich's brooding atmosphere merged with industrial realism — rich impasto brushwork, dramatic chiaroscuro between artificial light pools and surrounding darkness, atmospheric depth with layered mist, meticulous engineering detail on every turbine nacelle, cooling tower, and exhaust stack. No text, no labels.