Wind onshore 14.0 GW dominates the right half of the scene as dozens of tall three-blade turbines with white tubular towers and nacelles, their rotors turning slowly in light wind, scattered across dark rolling hills; brown coal 6.4 GW occupies the far left as three massive hyperbolic cooling towers emitting thick white-grey steam plumes, lit from below by orange sodium lights of an industrial complex; natural gas 5.8 GW appears left of centre as a compact CCGT power station with twin exhaust stacks venting thin hot plumes, illuminated by harsh industrial floodlights; hard coal 4.0 GW sits beside the brown coal as a blocky power station with a tall chimney and conveyor belts, glowing with amber work-lights; biomass 4.1 GW is rendered as a mid-ground facility with cylindrical digesters and a small stack with a faint warm exhaust, softly lit; hydro 1.4 GW appears as a concrete dam in the far middle distance with floodlit spillway and a dark reservoir reflecting scattered lights. The sky is completely dark, deep navy-black, fully overcast with no stars or moon visible — a heavy blanket of cloud pressing down oppressively, suggesting high electricity prices. The season is mid-spring: fresh green vegetation barely visible in the artificial light, damp grass and budding trees along fence lines. The landscape is flat to gently undulating, central German in character. All lighting is artificial — sodium orange streetlamps along access roads, cool-white industrial floods on plant structures, red aviation warning lights blinking atop turbine nacelles and chimney tops. The atmosphere is heavy, humid, slightly misty near the cooling towers. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich impasto brushwork, deep chiaroscuro contrasts between the glowing industrial installations and the oppressive dark sky, meticulous engineering accuracy in every turbine blade, cooling tower curve, and exhaust stack detail, atmospheric depth receding into darkness. No text, no labels.