Wind onshore 14.4 GW dominates the right half of the scene as dozens of tall three-blade turbines with lattice towers stretching across rolling dark hills, their red aviation lights blinking; brown coal 6.0 GW occupies the far left as three massive hyperbolic cooling towers releasing thick pale steam plumes lit from below by sodium-orange industrial lighting; natural gas 5.9 GW sits left of centre as a cluster of compact CCGT units with tall single exhaust stacks venting thin white vapour, illuminated by bright facility floodlights; hard coal 4.0 GW appears between the gas plant and cooling towers as a gritty power station with a large chimney and coal conveyors under yellow work lights; biomass 4.1 GW is rendered as a mid-ground industrial plant with a rounded silo and modest stack emitting faint grey smoke, warmly lit; hydro 1.4 GW appears as a small concrete dam structure with spillway visible in the lower foreground, lit by a single floodlight reflecting on dark water; wind offshore 1.1 GW is suggested by a distant line of turbines on a dark horizon where land meets a sliver of black sea. The sky is completely dark, deep navy-black with full 100% cloud cover—no stars, no moon, no twilight glow whatsoever. The atmosphere feels heavy and oppressive, reflecting the high electricity price. Temperature is cool at 7.6°C: bare-branched trees are just beginning to show tiny spring leaf buds, and a thin ground mist clings to the valley floor. Wind is light at 6.5 km/h—turbine blades turn slowly. All illumination comes solely from artificial sources: sodium streetlights along a road in the foreground, orange and white industrial facility lights, and the red beacon lights atop turbines and stacks. Painted in the style of a highly detailed 19th-century German Romantic oil painting—rich dark palette of deep indigo, burnt umber, and warm amber, visible confident brushwork, atmospheric depth with industrial haze, meticulous engineering accuracy on every nacelle, cooling tower, and exhaust stack. No text, no labels.