Solar 34.3 GW dominates the scene as an enormous expanse of aluminium-framed crystalline silicon PV panels stretching across rolling green May farmland, occupying nearly 60% of the canvas from centre to right foreground and middle distance. Wind onshore 10.2 GW appears as dozens of three-blade turbines with white tubular towers on gentle hills behind the panels, rotors turning slowly in light wind. Wind offshore 1.8 GW is visible as a small cluster of turbines on a hazy horizon line above a distant strip of grey North Sea. Biomass 4.0 GW is rendered as a mid-sized wood-chip power station with a rectangular industrial building and a single tall stack emitting thin white vapour, placed at left-centre. Brown coal 3.1 GW stands at the far left as two hyperbolic concrete cooling towers with lazy steam plumes rising into the overcast sky. Natural gas 2.0 GW sits adjacent as a compact combined-cycle gas turbine plant with a single polished exhaust stack and low rectangular turbine hall. Hydro 1.6 GW is suggested by a small concrete run-of-river weir and powerhouse nestled along a stream in the left foreground. Hard coal 1.0 GW appears as a single smaller stack with minimal smoke beside the lignite towers. The sky is bright midday daylight diffused through 81% cloud cover — a high, luminous silver-grey overcast with occasional brighter patches where the sun's disc is faintly discernible, casting soft shadowless light over the spring landscape. Vegetation is fresh mid-May green: young wheat fields, blossoming hedgerows, deciduous trees in full new leaf. Temperature is cool at 10°C, suggested by figures in light jackets near a substation. The atmosphere is calm and open, reflecting the low 16.1 EUR/MWh price — no oppressive haze, just gentle pastoral tranquility. Overhead transmission lines on lattice pylons carry power toward the horizon, hinting at massive exports. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painting — rich colour palette of spring greens, steel greys, and soft whites, visible confident brushwork, atmospheric aerial perspective fading to hazy blue-grey distances, meticulous engineering detail on every turbine nacelle, PV module frame, and cooling tower ribbing, evoking Caspar David Friedrich's compositional grandeur merged with industrial realism. No text, no labels.