Brown coal 7.5 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers emitting thick white steam plumes into the night, lit from below by orange sodium floodlights; natural gas 6.1 GW fills the centre-left as two compact CCGT power blocks with tall single exhaust stacks venting thin heat shimmer, illuminated by harsh industrial lighting; hard coal 4.0 GW appears centre-right as a large conventional power station with a tall chimney and coal conveyors visible under arc lights; biomass 4.0 GW is rendered as a mid-sized industrial plant with a cylindrical silo and modest stack, softly lit, positioned just right of centre; wind onshore 3.0 GW appears in the right background as a small cluster of three-blade turbines on lattice towers, their rotors nearly still, with red aviation warning lights blinking; wind offshore 2.3 GW is suggested by distant turbine silhouettes on the far-right horizon above a faintly reflective sea; hydro 1.4 GW is a small dam structure in the far right foreground with water cascading under a single floodlight. The sky is completely black with heavy 100% overcast — no stars, no moon, no twilight glow whatsoever, a deep oppressive coal-dark canopy pressing down on the scene. The atmosphere feels heavy and thick, conveying the high electricity price. Temperature is a cool 6.6°C late spring night — sparse early-season green on bare deciduous trees, damp ground, patches of mist hanging low. The overall palette is dominated by deep navy-blacks, industrial oranges, and sulfurous yellows from artificial lighting reflecting off steam and low clouds. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich impasto brushwork, dramatic chiaroscuro, atmospheric depth — yet with meticulous engineering accuracy on every turbine nacelle, cooling tower hyperbolic curve, CCGT exhaust stack, and coal conveyor. The scene evokes a Caspar David Friedrich industrial nocturne. No text, no labels.