Brown coal 7.5 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into the black sky, their concrete shells lit from below by amber sodium lamps; natural gas 6.0 GW fills the centre-left as two tall CCGT combined-cycle units with slender exhaust stacks emitting thin heat shimmer, surrounded by lit switchyard infrastructure; hard coal 4.0 GW appears centre-right as a blocky power station with conveyor belts and a single large stack trailing darker smoke; biomass 4.0 GW is rendered as a modest industrial facility with a wood-chip storage dome and a single chimney glowing faintly, positioned right of centre; wind onshore 3.5 GW appears as a sparse row of three-blade turbines on a low ridge in the right background, their rotors barely turning in the still air, red aviation lights blinking; wind offshore 2.5 GW is suggested by distant turbine silhouettes on a dark horizon line at far right; hydro 1.4 GW is a small concrete dam structure at the far right edge with faint white water visible below it. The sky is completely black with heavy 100% overcast — no stars, no moon, no twilight glow — a dense oppressive ceiling of cloud reflecting the orange-sodium industrial glow from below. The landscape is a flat German lowland in early spring with sparse budding trees, temperature near 5°C suggesting damp ground and a faint mist clinging to fields. The air feels heavy and expensive. No sunlight, no solar panels anywhere. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich impasto brushwork, dramatic chiaroscuro between deep shadow and industrial firelight, atmospheric depth with haze and smoke layering into the distance, meticulous engineering accuracy on every turbine nacelle, cooling tower, and exhaust stack. No text, no labels.