Wind onshore 10.3 GW and wind offshore 5.6 GW together dominate the right half of the scene as dozens of three-blade turbines with white tubular towers and nacelles, some arrayed along a dark North Sea coastline with red aviation warning lights blinking, others marching across rolling inland hills; brown coal 7.5 GW occupies the left quarter as a cluster of massive hyperbolic cooling towers emitting thick pale steam plumes lit from below by sodium-orange industrial floodlights; natural gas 5.8 GW appears centre-left as a compact CCGT power station with tall slim exhaust stacks and visible heat shimmer; hard coal 4.0 GW sits behind the gas plant as a blocky conventional power station with a single large smokestack and coal conveyors; biomass 4.0 GW is represented by a mid-ground wood-chip-fed CHP plant with a modest stack and warm-lit processing hall; hydro 1.3 GW appears as a small illuminated dam and penstock structure nestled in a forested valley at far right. TIME AND LIGHT: it is 2 AM, completely dark — a black sky with no twilight, no sky glow, thick 87% cloud cover blocking all stars and moonlight; the only illumination is artificial: sodium streetlights casting orange pools, floodlit industrial yards, glowing control-room windows, and the red blinking nacelle lights of the wind turbines. The atmosphere is heavy and oppressive, reflecting the high 117.6 EUR/MWh electricity price — low clouds press down on the cooling tower plumes, which spread horizontally in the still air. Temperature is a cool 6.4°C spring night: bare-branched hedgerows and fresh spring grass visible near foreground fences, a thin mist clings to low ground. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich dark palette of deep navy, warm amber, and cool grey, visible impasto brushwork, atmospheric depth and chiaroscuro — but with meticulous engineering accuracy on every turbine blade, cooling tower curve, and exhaust stack. No text, no labels.