Brown coal 6.2 GW dominates the left foreground as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into heavy overcast, their concrete shells rendered with textural precision; natural gas 5.4 GW sits centre-left as a pair of modern CCGT plant blocks with slender exhaust stacks emitting thin heat shimmer; hard coal 2.6 GW appears behind them as a smaller conventional power station with a single tall chimney and coal conveyor; wind onshore 10.4 GW spans the centre and right middle-ground as dozens of tall three-blade turbines on lattice and tubular towers stretching across rolling green hills, blades slowly turning in light breeze; wind offshore 5.9 GW is visible in the far right background as a dense offshore wind farm on a grey North Sea horizon; solar 9.5 GW appears as expansive fields of aluminium-framed crystalline silicon panels in the right foreground, their surfaces reflecting only dull grey sky with no sun glint; biomass 4.4 GW is a modest wood-chip plant with a green-roofed facility and small smokestack at centre-right; hydro 1.3 GW is a small concrete run-of-river weir with turbine house nestled beside a river in the lower centre. The sky is early dawn at 07:00 — pale blue-grey pre-dawn light seeping from the eastern horizon, no direct sunlight visible, 93% cloud cover creating a low oppressive ceiling of stratus in muted pewter and slate tones reflecting the high electricity price. The landscape is mid-May central Germany: fresh green deciduous foliage just fully leafed out, cool atmosphere at 6°C with a suggestion of morning mist over damp meadows. Air is still, flags limp. Painted in the style of a monumental 19th-century German Romantic oil painting — rich impasto brushwork, atmospheric perspective with haze softening distant turbines, dramatic chiaroscuro between dark industrial foreground and luminous grey horizon, meticulous engineering detail on every facility, deep tonal palette of slate, olive, steel-blue, and cream. No text, no labels.