Solar 26.3 GW dominates the centre and right as vast fields of aluminium-framed crystalline silicon PV panels stretching across gently rolling spring farmland, their surfaces reflecting diffuse white light under a uniformly overcast sky; wind onshore 15.8 GW fills the mid-ground as dozens of tall three-blade turbines on lattice and tubular towers, rotors turning slowly in light breeze; wind offshore 5.4 GW appears as a distant line of larger turbines visible on a grey horizon beyond a river estuary; biomass 4.1 GW is rendered as a cluster of modest wood-chip-fueled power stations with short stacks and small steam wisps on the left; brown coal 3.2 GW appears as two hyperbolic cooling towers in the far left background, their steam plumes thin and subdued, dwarfed by the renewable expanse; natural gas 1.9 GW is a single compact CCGT plant with a slender exhaust stack beside the cooling towers; hydro 1.5 GW is a small run-of-river weir with a concrete powerhouse nestled along the river in the lower left; hard coal 0.7 GW is one modest smokestack barely visible behind the brown coal towers. The time is 4 PM on a May afternoon — full diffuse daylight but no direct sun, the sky a continuous pearl-grey blanket of stratus, light even and soft with no shadows. Spring vegetation is lush bright green, wildflowers dot meadow edges, birch and beech trees in fresh leaf. The atmosphere is calm, open, and spacious, reflecting the near-zero electricity price — no oppressive haze, just quiet luminous overcast. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen — rich layered colour, visible confident brushwork, atmospheric depth and aerial perspective, meticulous engineering detail on every turbine nacelle, every PV module frame, every cooling tower's parabolic curve. The scene conveys a pastoral industrial grandeur where renewable infrastructure has become the dominant feature of the land. No text, no labels.