Brown coal 6.9 GW dominates the left quarter of the scene as a massive lignite power station with three hyperbolic cooling towers emitting thick white steam plumes lit from below by amber sodium lights; natural gas 5.5 GW occupies the left-centre as a pair of compact CCGT plants with tall slender exhaust stacks venting thin heat shimmer; hard coal 3.2 GW appears behind the gas plant as a smaller coal station with a single wide chimney and coal conveyors; wind onshore 8.2 GW spans the right half as approximately twenty three-blade turbines on lattice towers scattered across rolling hills, their rotors turning very slowly in near-calm air; wind offshore 3.1 GW is suggested by a distant line of larger turbines on the far-right horizon over a dark body of water; biomass 4.6 GW sits in the centre-right as a cluster of wood-chip-fired CHP plants with squat cylindrical silos and modest stacks emitting pale grey smoke; hydro 1.4 GW appears as a small concrete dam and powerhouse nestled in a valley in the right background; solar 1.0 GW is represented by a small field of aluminium-framed crystalline silicon panels in the foreground, their surfaces dark and unreflective, catching no sunlight. TIME: 20:00 in mid-May Berlin — the sky is fully dark, deep navy-black, no twilight glow remaining, no sunset colours; all illumination comes from artificial sources: orange sodium streetlights lining a road in the foreground, the industrial facilities glowing with warm interior lights and safety beacons, red aviation warning lights on turbine nacelles and chimney tops. The atmosphere is heavy and oppressive, with a low haze hanging over the industrial structures reflecting the high electricity price. Temperature is mild at 12°C; vegetation is lush spring green on the hills, visible where lit by facility lights. Cloud cover at 43% is rendered as scattered dark clouds faintly discernible against the night sky. Wind is nearly still — no motion blur on grass or trees. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen — rich impasto brushwork, deep chiaroscuro contrasts between the glowing industrial facilities and the enveloping darkness, atmospheric depth with receding layers of terrain, meticulous engineering detail on every turbine nacelle, cooling tower, and exhaust stack, a mood of sublime industrial grandeur under a vast dark sky. No text, no labels.