Solar 19.6 GW dominates the right half of the scene as vast fields of aluminium-framed crystalline silicon PV panels stretching across gently rolling farmland, their surfaces reflecting flat grey light; brown coal 8.9 GW occupies the left quarter as a cluster of massive hyperbolic cooling towers emitting thick white steam plumes rising into the heavy sky; natural gas 6.1 GW appears centre-left as a pair of modern CCGT power plants with tall slender exhaust stacks trailing thin vapour; wind onshore 4.8 GW is rendered as a modest line of three-blade turbines on a distant ridge, rotors turning sluggishly; hard coal 3.8 GW sits behind the gas plants as a blocky power station with twin chimneys; biomass 4.2 GW appears as a timber-clad biomass plant with a short stack near the wind turbines; hydro 1.3 GW is a small concrete dam structure with cascading water visible in the far background valley; wind offshore 0.4 GW is barely visible as tiny turbine silhouettes on the far horizon line. The sky is entirely sealed with dense, layered stratocumulus clouds in oppressive tones of pewter, slate, and charcoal, conveying high electricity prices; the time is late-afternoon dusk at 17:00 in May — an orange-red glow bleeds faintly along the lowest horizon beneath the cloud deck, the upper sky already darkening toward deep grey-blue; spring vegetation shows fresh green leaves on birch and beech trees but the overall mood is heavy and subdued; the temperature of nearly 12°C is conveyed through damp-looking meadows and cool atmospheric haze. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich's atmospheric depth merged with industrial subject matter — rich impasto brushwork, dramatic chiaroscuro, meticulous engineering accuracy on every turbine nacelle, panel frame, and cooling tower. No text, no labels.