Solar 21.1 GW dominates the centre and right foreground as vast fields of aluminium-framed crystalline silicon PV panels stretching across flat farmland, their surfaces dull grey under heavy cloud diffused light, no sun reflections. Brown coal 8.5 GW occupies the left background as a massive lignite power station with three hyperbolic concrete cooling towers emitting thick white steam plumes rising into the overcast sky, plus a tall main stack. Natural gas 6.5 GW appears centre-left as a modern CCGT plant with a sleek exhaust stack and a smaller steam plume. Hard coal 3.9 GW sits behind the gas plant as a traditional coal station with a single large chimney and visible coal conveyors. Biomass 4.3 GW appears as a medium-sized wood-chip-fed power plant with a modest stack and stored timber piles, positioned right of centre in the mid-ground. Hydro 1.4 GW is visible as a small run-of-river weir and turbine house on a grey river cutting through the lower right of the composition. Wind onshore 1.1 GW and wind offshore 0.4 GW are represented by just three or four tall three-blade turbines with lattice towers standing nearly motionless on a distant ridge at far right, blades barely turned. The sky is entirely covered by a thick, low, oppressive blanket of uniform grey stratus cloud — no blue, no sun — conveying the high electricity price through a heavy, claustrophobic atmosphere. The lighting is soft, flat, diffuse morning daylight consistent with 08:00 in May under total overcast — no shadows, no highlights, muted greens and greys. Vegetation is mid-spring: fresh but subdued green grass, leafy deciduous trees, cool 7°C air suggested by slight mist near the river. The air is perfectly still — no movement in smoke plumes, flags limp, water glassy. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich layered colour, visible confident brushwork, deep atmospheric perspective — yet with meticulous engineering accuracy for every turbine nacelle, PV module frame, cooling tower curvature, and industrial structure. The mood is sober and weighty. No text, no labels.