Brown coal 8.1 GW dominates the left quarter as a vast lignite power station with four massive hyperbolic cooling towers emitting thick white steam plumes into the black sky, lit from below by orange sodium lamps; natural gas 5.3 GW occupies the centre-left as two compact CCGT plants with tall single exhaust stacks and glowing turbine halls; hard coal 4.0 GW appears centre-right as a smaller coal station with rectangular cooling towers and conveyor belts faintly illuminated; wind onshore 9.4 GW spans the entire right third and background as dozens of three-blade turbines on lattice and tubular towers, their red aviation warning lights blinking against the darkness, rotors turning slowly in light wind; wind offshore 4.5 GW is suggested in the far distance right as a cluster of turbines visible only by their warning lights above a dark horizon line; biomass 4.1 GW appears as a wood-chip-fed CHP facility with a modest smokestack and a warm amber glow from its furnace building in the mid-ground; hydro 1.4 GW is a small run-of-river station glimpsed along a dark river in the foreground, with security lights reflecting on moving water. The sky is entirely black with complete 100% overcast — no stars, no moon, no twilight glow — a heavy oppressive low ceiling of cloud faintly lit from below by industrial light pollution in sickly orange tones reflecting the high electricity price. Temperature is a mild 12.6°C spring night: fresh green leaves on scattered deciduous trees visible near the river, damp grass glistening under lamp light. The overall mood is weighty and industrious. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich impasto brushwork, dramatic chiaroscuro between deep shadows and industrial illumination, atmospheric depth with haze and steam, meticulous engineering detail on every turbine nacelle, cooling tower, and exhaust stack. No text, no labels.