Brown coal 9.3 GW dominates the left third of the scene as a massive lignite power station complex with four hyperbolic cooling towers emitting thick white steam plumes into the dark sky; natural gas 6.1 GW fills the centre-left as two compact CCGT plants with tall single exhaust stacks venting heat shimmer and thin plumes; hard coal 3.7 GW appears centre-right as a smaller coal-fired station with a single large smokestack and coal conveyors visible under sodium lighting; biomass 4.0 GW is rendered as a mid-sized industrial plant with a wood-chip storage dome and a squat chimney, positioned right of centre; wind onshore 1.8 GW appears as a small cluster of three-blade turbines on a distant ridge to the far right, rotors nearly still; wind offshore 1.5 GW is suggested by tiny red aviation warning lights on turbines barely visible on a dark horizon line at the far right edge; hydro 1.6 GW is a modest concrete dam with a glowing powerhouse at the far right foreground, water glinting faintly. Time is midnight: the sky is completely black with no twilight or sky glow, heavy 79% cloud cover obscures all stars, creating an oppressive ceiling. The landscape is a broad German lowland river valley in late May, with lush spring vegetation barely visible in the darkness. Sodium-orange streetlights line an industrial access road in the foreground, casting pools of warm amber light. The cooling towers are lit from below by facility floodlights, their steam billowing into the black void above. The atmosphere is heavy and humid at 12°C, with a faint mist clinging to the ground near the river. The mood is brooding and oppressive, reflecting the high electricity price. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich impasto brushwork, dramatic chiaroscuro between the glowing industrial facilities and the engulfing darkness, atmospheric depth receding into blackness, meticulous engineering detail on every turbine nacelle, cooling tower, and smokestack. No text, no labels.